Thanksgiving poems

Jim Wood recently introduced me to Edwin Muir, an Orkney poet, a poet of the land.  I love this poem, and here Jim explains why it's so perfect for today.

We give you what we think may be the best Thanksgiving poem ever written. Oddly enough, it’s not by an American, and it doesn’t mention pilgrims or turkeys. It’s by the great Orcadian poet Edwin Muir (1887-1959), born in rural Dearness, raised on the northern isle of Rousay, heir to Orkney’s only semi-important “clearance” (see his poem “The Little General”), lover and fearer of great Clydesdale plow horses (see “Horses” and “The Horses”), and discoverer (as far as the West is concerned) of Franz Kafka. We love “The Difficult Land” because it expresses both the pain and beauty of the traditional rural world. I have now written on the MT about both what we have lost (tragically) by abandoning traditional farming – and what we have gained (thankfully) by abandoning traditional farming. Both are true, and nothing that I know of expresses all this better than this achingly beautiful poem. The perfect Thanksgiving poem: “This is a difficult country, and our home.”

The Difficult Land

This is a difficult land. Here things miscarry

Whether we care, or do not care enough.

The grain may pine, the harlot weed grow haughty,

Sun, rain, and frost alike conspire against us:

You’d think there was malice in the very air.

And the spring floods and summer droughts: our fields

Mile after mile of soft and useless dust.

On dull delusive days presaging rain

We yoke the oxen, go out harrowing,

Walk in the middle of an ochre cloud,

Dust rising before us and falling again behind us,

Slowly and gently settling where it lay.

These days the earth itself looks sad and senseless.

And when next day the sun mounts hot and lusty

We shake our fist and kick the ground in anger.

We have strange dreams: as that, in the early morning

We stand and watch the silver drift of stars

Turn suddenly to a flock of black-birds flying.

And once in a lifetime men from over the border,

In early summer, the season of fresh campaigns,

Come trampling down the corn, and kill our cattle.

These things we know and by good luck or guidance

Either frustrate or, if we must, endure.

We are a people; race and speech support us,

Ancestral rite and custom, roof and tree,

Our songs that tell of our triumphs and disasters

(Fleeting alike), continuance of fold and hearth,

Our names and callings, work and rest and sleep,

And something that, defeated, still endures – 

These things sustain us. Yet there are times

When name, identity, and our very hands,

Senselessly labouring, grow most hateful to us, 

And we would gladly rid us of these burdens,

Enter our darkness through the doors of wheat

And the light veil of grass (leaving behind

 Name, body, country, speech, vocation, faith)

And gather into the secrecy of the earth

Furrowed by broken ploughs lost deep in time.

We have such hours, but are drawn back again

By faces of goodness, faithful masks of sorrow,

Honesty, kindness, courage, fidelity,

The love that lasts a life’s time. And the fields,

Homestead and stall and barn, springtime and autumn.

(For we can love even the wandering seasons

In their inhuman circuit.) And the dead

Who lodge in us so strangely, unremembered,

Yet in their place. For how can we reject

The long last look on the ever-dying face

Turned backward from the other side of time?

And how offend the dead and shame the living

By these despairs? And how refrain from love?

This is a difficult country, and our home.

                                          -- Edwin Muir



One of the things I now look forward to at holidays is the poems that arrive in my inbox from MT reader Ed Hessler a day or two before the event.  Among the poems he sent to a fortunate list of recipients this Thanksgiving was this one by Kenneth Rexroth.

Falling Leaves and Early Snow

In the years to come they will say,
“They fell like the leaves
In the autumn of nineteen thirty-nine.”
November has come to the forest,
To the meadows where we picked the cyclamen.
The year fades with the white frost
On the brown sedge in the hazy meadows,
Where the deer tracks were black in the morning.
Ice forms in the shadows;
Disheveled maples hang over the water;
Deep gold sunlight glistens on the shrunken stream.
Somnolent trout move through pillars of brown and gold.
The yellow maple leaves eddy above them,
The glittering leaves of the cottonwood,
The olive, velvety alder leaves,
The scarlet dogwood leaves,
Most poignant of all.

In the afternoon thin blades of cloud
Move over the mountains;
The storm clouds follow them;
Fine rain falls without wind.
The forest is filled with wet resonant silence.
When the rain pauses the clouds
Cling to the cliffs and the waterfalls.
In the evening the wind changes;
Snow falls in the sunset.
We stand in the snowy twilight
And watch the moon rise in a breach of cloud.
Between the black pines lie narrow bands of moonlight,
Glimmering with floating snow.
An owl cries in the sifting darkness.
The moon has a sheen like a glacier.

                                --Kenneth Rexroth

Thanksgiving poems

A long-time and much-appreciated reader of this blog, Edward Hessler, has kindly included us again in his yearly sharing of a Thanksgiving poem.  When we wrote to thank him, telling him that the poem brought tears to our eyes, he sent another.  Which made us laugh.  He has happily consented to us thanking him here, and sharing his choices.

Perhaps the World Ends Here

The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.

--Joy Harjo, The Woman Who Fell From the Sky, W. W. Norton & Company, 1994.

Joy Harjo is from Tulsa, Oklahoma, a member of the Muscogee (Creek) nation and of Cherokee descent. She has also played alto saxophone with a band called Poetic Justice. She has played a powerful role in what has been described as the American Indian poetic renaissance. In January of 2013, Harjo will join the faculty of the American Indian Studies Program at the University of Illinois at Urbana-Champaign.



The Turkey Shot Out of the Oven

The turkey shot out of the oven
and rocketed into the air,
it knocked every plate off the table
and partly demolished a chair.

It ricocheted into a corner
and burst with deafening boom,
then splattered all over the kitchen,
completely obscuring the room.

It stuck to the walls and the windows,
it totally coated the floor,
there was turkey attached to the ceiling,
where there'd never been turkey before.

It blanketed every appliance,
it smeared every saucer and bowl,
there wasn't a way I could stop it,
that turkey was out of control.

I scraped and I scrubbed with displeasure,
and thought with chagrin as I mopped,
that I'd never again stuff a turkey
with popcorn that hadn't been popped.


--Jack Prelutsky